Month: September 2020

Gilda Bojardi, editor of INTERNI, awarded the Compasso d’Oro Prize for her career

Gilda Bojardi, editor of INTERNI, the Mondadori Group’s interiors and contemporary design magazine, was today awarded the Compasso d’Oro prize for her career Carriera as part of the XXVI Compasso d’Oro ADI. This prestigious design award was first given in 1954 and based on an idea by Gio Ponti with the aim of enhancing and supporting Italy’s rich creativity.

Gilda Bojardi was recognised by the jury as an undisputed protagonist in the culture of Italian design, “a solid point of reference for information about the ever-expanding world of design, able to anticipate complex phenomena with an approach to the contemporary that is never banal or ideological along with a critical position that is as constructive as it is original. She has also been able to interpret transformations in the publishing sector and made a fundamental contribution to the creation of ways of popularising and expanding the audience, also through events, which thanks to her vision have become international in scale.”

Under her leadership, the Mondadori Group magazine has become an authentic point of reference in design and thanks to her creative energy has developed a system of parallel publications that have transformed the title from a monthly magazine into a brand able to create events, starting the FuoriSalone in Milan, and other initiatives, also abroad.

“I have to express my great thanks for all of the encounters, both chance and sought after, that life has given me,” said Gilda Bojardi,  “and to all those people that I have had the possibility to get to know much better in my working life and who have enriched and stimulated me in the discovery, as a lawyer manqué, of the wonderful world of design and architecture, and satisfying more than generously my curiosity.”

In fact, she is a qualified lawyer, with a degree in law from the University of Milan. Her professional relationship with INTERNI began in 1980, and in 1990 she was made editor of the ‘Annual’ monographs published as supplements to the magazine and became editor of the monthly in 1994. She conceived the FuoriSalone, began as an experiment in 1990, the Design Week that now animates the city of Milan every year in the month of April with a wide range of events. For her commitment to the spread – both nationally and internationally – of the culture of design she has already received a number of prestigious awards, including: Officier des Arts et des Lettres (French Ministry of Culture – 2006); Ambrogino d’oro (City of Milan – 2007); 1° Prix Designer’s Day (Paris – 2008); Premio ITA Italian Talent Award (Italian Chamber of Deputies, Rome – 2014). She has also been the Ambassador of Italian Design for the “Italian Design Day” in March 2017 in Mexico City, and in March 2018 and 2019 in Madrid. In October 2019 she received the Medalla Anáhuac en Diseño 2019 during the international conference “Diseñar para la Humanidad” in Mexico City.

The award was given this morning in preview at the headquarters of the ADI which hosts the new ADI Design Museum-Compasso d’Oro. The museum, which will open in December, is in the former industrial area of via Ceresio 7, and will feature a permanent exhibition “Mettere Radici” with prize-winning design objects from1954 to the present.

 

Back to school: 57% of kids prefer classroom lesson to remote learning according to a Studenti.it survey

Lessons? Better in the classroom. 57% of students want to go back to the classroom: this is what emerges from a survey conducted by Studenti.it involving some 18,150 1st and 2nd level high school students and aimed at finding out what they think, how they are experiencing the current situation if and how their habit will change. In fact, for those interviewed they miss contact with both classmates and teachers and there is a great desire for a return to normality.66% even think that online classes and damaging because of connectivity issues and inadequate tools that have hindered effective interaction between students and teachers.

The end of the 2019-2020 school year was anomalous: only 30% of those interviewed told Studenti.it that there were students who had failed the year or had to do re-sits. There does not appear to have been big gaps and a need for recoups, given that just 38% of students organised revision lessons. In the 2018-2019 school year, on the other hand, all schools organised revision courses, having faced 21% of students required to re-sit in September and 6.8% who failed the year.

Regarding single study chairs on wheels, for most kids (86%) in the Studenti.it survey, they are likely to be used inappropriately by students and therefore create additional problems. For the remaining 14%, meanwhile, they are seen as a good solution that can guarantee adequate distancing.

The majority of kids, finally, don’t want to change their habits to get to school. According to the Studenti.it survey, 23% would find an alternative method of getting around compared to the  pre-Covid period, while 77% would continue to use the same means of transport to get to school: of these 40% would use public transport, 32% would move by car, 18% would go to school on foot, 4% by motorcycle, and 6% by bicycle of scooter.

Studenti.it has continued to be constantly on the side of students during all phases of the school year in lockdown, increasing its offer with thousands of items of free content, from video lessons with study tips, to live social media events with experts and YouTubers and the “Te lo spiega Studenti” podcasts, a new way of exploiting notes online. In the first six months of the year, the  Mondadori Group brand recorded a 30% increase in traffic on its site compared with the previous year (Source: Google Analytics, average March-April-May), reaching, in April, a month of total lockdown, 5 million unique users, +34% compared with April 2019 (Source: Total Audience April 2020), and YouTube views that were up by 50% compared with the same period of the previous year.

Grazia and Instagram combine to give voice to the values of freedom of expression and tollerance

Eva Chen guest editor of an extraordinary Issue of the magazine edited by Silvia Grilli

For the first time the cover is animated by a special Instagram filter

Grazia, the leading 100% Italian fashion brand, available around the world in 20 international editions, has produced along with Instagram and extraordinary issue of the magazine dedicated to the values of freedom of expression, tolerance and inclusivity.

An exclusive collaboration that for the first time sees Eva Chen, head of fashion partnerships at Instagram, in the role of guest editor of the weekly, edited by Silvia Grilli, on newsstands on Thursday 3 September.

“I wanted to entrust Instagram with the creative direction of this issue of Grazia to underline how both print and digital media, in this case a power social media platform, can work together to support a civic battle such as that for freedom of expression,” declared Silvia Grilli, editor of Grazia. “This extraordinary issue, with a cover that you can animate and filters that you can use in your fashion stories, carries and important message for all of us: liberate your voice. In these complicated times, when the world is accelerating historic changes, we focus on how the language of freedom can take us towards a brighter future,” she concluded.

Eva Chen worked together with Silvia Grilli to produce the issue: from the fashion pages to interviews, from surveys on current affairs to beauty, and travel, with an inclusive and open eye on the latest trends, as well as interaction with the community.

“I want to dedicate this issue of Grazia to all those who on Instagram, with courage and audacity, are fighting for change. This special edition of Grazia celebrates authenticity, not perfection. It is a hymn to unity, not minorities, to a sense of community and to kindness. It wants to challenge the status quo regarding what is seen as beautiful, standard or normal,” declared Eva Chen, head of fashion partnerships at Instagram.

The cover, conceived and produced by the visual artist Marino Capitanio, uses graphic elements, such as mouths and cartoons, to illustrate the numerous first-hand accounts of freedom of expression featured in the magazine.

Thanks to the special filter ‘Liberate your voice’ the cover is animated and gives readers and Instagram uses the possibility of sharing this extraordinary project and their own thoughts. The filter is available from the Instagram account @grazia_it in the filters file (under highlighted stories). By opening it and capturing the cover with the frontal camera, it becomes animated. While using the selfie mode, the filter changes to allow users to share their message.

In this issue of Grazia we also hear form a number of protagonists: Elodie who describes her continuous search for freedom and the mission she has given herself: ”To speak for those who can’t express themselves.” Readers will also find a long interview with Mahmood, the singer from the suburbs of Milan who says that freedom is obtained by finding yourself and a commitment to giving a voice to your battles: “A multi-ethnic country is not the future,” he says. “For me and many young people it is the present.”

The magazine also features an account by Whoopi Goldberg, the American actress who has symbolised anti racism since she became a star thanks to the film The Color Purple. Today, in the United States, crippled by the pandemic, she is using the web and her popularity, to get African-Americans to register to vote: “At the upcoming elections,” she tells Grazia, “theirs must be the loudest voice.”

A big survey by Grazia highlights the 90-year-old influencers 90enni who are re-writing the rules of beauty and Italians of African origin who are fighting against hate. Instagram has already given freedom of expression to many who were not previously represented and who now have enormous: that of being able to change the world.

The new issue of Grazia also features inclusive and sustainable fashion. The augmented reality of the Instagram filters is transported by this project from digital to print, in a fashion photo shoot. Grazia photographed models and clothes, making them even more creative, using a range of filters that readers can use and share in their stories.

The issue’s creative concept and shooting was produced together with Facebook Creative Shop.

Today, in Italy, the communication platform of Grazia includes a total audience of 4.3 million people (Source: Media Impact Data Fusion based on Audiweb – Audipress data to December 2019), more than 350,000 Instagram followers and almost 1million followers on Facebook.

Around the world, the global multi-channel system Grazia International Network each month reaches an overall community of 15 million readers, with a monthly circulation of over 10 million copies, 35 million unique users and over 20 million followers on social media.

The launch of the new issue of Grazia is supported by an advertising campaign planned across print media, digital and outdoor.